Henry Andrews stumbled into interactive theater and performance in 2015, and became enamored of its ability to invite people into meaningful authentic experiences. He performed with Barron Scott Levkoff’s Mystic Midway over the next several years and became involved with several other interactive projects in the San Francisco Bay Area. These experiences eventually combined with his interests in metamodern philosophy, Gravesian developmental theory, and Batesonian warm data in the form of HELLAMETAMODERNISM, an experiential approach to metamodernism. With an intentionally ridiculous name derived from an art project for an interactive theatrical party, HELLAMETAMODERNISM is a still-emerging set of concepts that brings our attention to the power of shared experience, while reminding us not to take ourselves too seriously along the way.
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